Pittore di corte attivo a Napoli nei primi anni del XIX secolo

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The various honors are as accurate and meticulous as the rendering of the clothes and various details: in the background interesting settings of neoclassical furnishings in Pompeian style, from the bronze tripod that he sees in the background to the mahogany armchair and desk with figured inlays.

The familiar and warm realism of the figures presented in the most genuine realism of their mature age is notable and intimate.

One of the two bears a signature and an inscription which is not fully legible on the letter placed on the Queen's desk

Compare the portrait of Ferdinand I preserved in the collection of Bourbon portraits in the rooms of the Museum of Capua